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Open discussion of financial and organizational issues, functioning of the website. M ercredi 23 mars , 9h — 17h. Présentation du projet général. Nicolas Lefevre de Lezeau: Camille Lefauconnier archiviste paléographe, doctorante au CRH: Au récit de la maladie et de la mort de ce grand homme. Les généalogies imaginaires des Marillac ou comment faire des siens des gentilshommes de noblesse immémoriale. Papers written in English, Spanish, Italian or in any other European language will be welcome.
Les généalogies imaginaires des Marillac ou comment faire des siens des gentilshommes de noblesse immémoriale. Defining Baroque in the history of art, literature, music, science, society, etc. Saturday 6, h 9. Eccoti alcune cose di cui forse non eri al corrente: In fact, financial-economic crises, wars, social inequality and economic, political and social turbulence are characteristic of the entire modern era, not just the seventeenth century. Defining Baroque in the history of art, literature, music, science, society, etc.
It would be the opportunity to diversify the approaches and to try to cover the European area, dealing the very notion of Baroque within a historical perspective. The deadline for submitting papers is planned for September Jean-Pierre Cavaillé cavaille ehess. ENBaCH research and data-collection.
10. Art for power / The power of art I
Saturday 6, h 9. Enbach administrative and management aspects.
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Deadlines, EC norms, timesheets. Activities of the local units: Data collection and processing: Cooperation with other Institutions 5. Difficili relazioni di reciprocità tra gli agenti medicei a Madrid Aula del Museo di Storia della medicina Istituto di Storia della Medicina. Artists on the move I Chairperson: Arts and sciences in translation I Chairperson: Artists on the move II Chairperson: Baroque architecture and urbanism Chairperson: Sala Odeion Facoltà di Lettere e Filosofia, piano seminterrato 28 marzo h.
Arts and sciences in translation II Chairperson: The circulation of culture I Chairperson: Informal diplomats, noble ladies, spies Chairperson: Academies and their networks Chairperson: Making politics through writings Chairperson: Civic and religious pageantries Chairperson: Sala degli Organi collegiali Palazzo del Rettorato 28 marzo h. The circulation of musical culture Chairperson: Battistini, Il Barocco , Roma, Salerno, , p.
Its Symbolism and Functions. Parallel sessions, breaks will be held on demand Session I Chair: Sonia Horn Rhea Fessl Men at work. Maria Lieber Vania Santon Porcia: Lucien Bely La circulation des diplomates entre publicité et secret Applications forms available at www. The aim of this conference will be not only to discuss the research results produced by the eight project partners, but also to serve as an opportunity for a multidisciplinary meeting of groups and individual researchers studying the Baroque Period from every possible perspective: The key word envisioned in our approach is multiplicity: In fact, financial-economic crises, wars, social inequality and economic, political and social turbulence are characteristic of the entire modern era, not just the seventeenth century.
Moreover, we know that different disciplines ascribe vastly different stylistic elements and time ranges to the Baroque.
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In the history of Literature, or at least of Italian Literature, the precocious identification of the Baroque with Marinism led to a similarly precocious condemnation; so much so, that the phenomenon may be limited to the first half of the century. With regard to the literary historiography of other European countries, the idea of the Baroque attracted the interest of W.
Benjamin in the s, but his book on the origins of German Baroque drama [6] was not well received by academia [7] ; in France, researchers ignored the notion of Baroque until well after the Second World War [8]. The use of the term Baroque is even controversial in musical historiography. Nonetheless, by convention, the connotation of the term that overflows its original meaning extravagant, ephemeral is widely applied. While, on the one hand, there is the notion that it is illogical to use a single label to encompass a century and a half of musical production and evolution characterized by great variety and differences; on the other, it appears inevitable to recognize the wider meaning that the term has come to acquire.
Why, notwithstanding all of this, have we decided not only to use the term, but also to insert it in the title of our research project? Emphasising a concept that is traditionally juxtaposed to that of order and harmony, underlines how modern Europe is the result of a complicated and contradictory process that was not governed by a red thread or a teleological process.
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Europe was not born from a linear process, but from a curving, elliptical and spiralling one. At the same time, we felt that the notion of Baroque was capable of evoking the great movement of men and objects alluded to by Montanari. This mobility conquered intellectuals and workers and provided them with new communication instruments ranging from the exchange of letters, typical of the Republic of Letters, to the relatively easier circulation of handiwork, books and paintings that could divulge news.
ENBaCH has concentrated significantly on these different forms of mobility. A number of units Barcelona, Greifswald, Paris, Rome, Teramo have worked on the movements of artists and literati, as well as viceroys, diplomats, doctors, informers and more or less official spies. Other units Dresden, Greifswald, Vienna have concentrated on the circulation of handiwork and representations of the crafts that could be used as models for workers far removed from the site of origin. Some privileged the circulation of ideas fuelled by books and at times by human beings Paris, Rome, Teramo, Warsaw, Vienna , while others turned to the performance and circulation of ceremonial and scenic designs from religious rituals to theatrical stage designs and other ephemeral uses Dresden, Rome, Teramo.
All of these perspectives will be addressed through the organisation of issue-specific panels. A preliminary version of the draft agenda is attached. However, as we have already mentioned, we also intend to convene all those who are interested in these issues and ask them to present their research work and discuss it together with our work and us. Ciliberto, Rinascimento e Controrinascimento , in Figure in chiaroscuro.
Filosofia e storiografia nel Novecento , Roma, Storia e Letteratura, , pp. Montanari, Il Barocco , Torino, Einaudi, , p. Russo, Sul barocco letterario in Italia. Giudizi, revisioni, distinzioni , http: Aperçus historiographiques , http: As Camerata Medica is a charitable institution, the artists and the organising team of the conference decided to kindly ask for free donations, which will be given to. Medicine between theory and practice.
Prints from the Southern Netherlands as a medium of a common pictorial language in Spanish colonial America 16thth centuries. Cultural Circulation and Irenical Scholarship in 17 th C.
Conditioning the Bodies of the Old and the New Continents. Baroque as a subversive way to live modernity.
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Gaining access to digital cultural heritage: Mastering the plague of in Vienna. Sulla storiografia della nozione di barocco. Presentazione della raccolta di saggi online per Enbach. Moovit è l' app per i mezzi pubblici più usata al mondo. Aggiungi questo badge al tuo sito web.
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